Logic Pro 9
Instruments
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An Introduction to the Logic Pro Instruments
About the Logic Pro Instruments
About the Logic Pro Documentation
Additional Resources
ES E
Getting to Know the ES E Interface
Using the ES E Oscillators
Using the ES E LFO
Using the ES E Filter
Using the ES E Envelope
Using the ES E Output Parameters
Extended ES E Parameters
ES M
Getting to Know the ES M Interface
Using the ES M Oscillator
Using the ES M Filter and Filter Envelope
Using the ES M Level Envelope and Output Controls
Extended ES M Parameters
ES P
Getting to Know the ES P Interface
Using the ES P Oscillators
Using the ES P LFO
Using the ES P Filter
Using the ES P Envelope and Level Controls
Using the Integrated ES P Effects
Extended ES P Parameters
ES1
Getting to Know the ES1 Interface
Using the ES1 Oscillators
Using the ES1 Filter Parameters
Using the ES1 Amplifier Parameters
Using the ES1 Envelope Parameters
Modulating the Sound of the ES1
Adjusting Global ES1 Parameters
ES1 MIDI Controller List
ES2
ES2 Architecture and Features
Getting to Know the ES2 interface
Using the ES2 Oscillators
Using the ES2’s Global Parameters
Using the ES2 Filters
Using the ES2 Amplifier Parameters
Working with Modulation in the ES2
Using the ES2’s Integrated Effect Processing Section
Creating Random ES2 Sound Variations
Using Macro Controls and Assigning Controllers in the ES2
Using the ES2 in Surround Mode
ES2 Tutorial: Creating Sounds
ES2 Tutorial: Using Templates to Create Sounds
EFM1
Getting to Know the EFM1 Interface
Working with the EFM1 Modulator and Carrier Parameters
Working with the EFM1 Modulation Parameters
Adjusting Global EFM1 Parameters
Setting EFM1 Output Parameters
Creating EFM1 Random Sound Variations
Assigning EFM1 MIDI Controllers
EVB3
EVB3 Features
Getting to Know the EVB3 Interface
Using the EVB3 Drawbar Controls
Using the EVB3 Preset Keys
Morphing in the EVB3
Using the Integrated EVB3 Scanner Vibrato
Using the EVB3 Percussion Effect
Using the EVB3 Global Tone Parameters
Using the EVB3 Model Parameters
Using the Integrated EVB3 Effects
Using the EVB3’s Integrated Rotor Cabinet Emulation
Setting Up the EVB3 for Your MIDI Equipment
EVB3 MIDI Controller Assignments
Additive Synthesis with Drawbars
The Residual Effect
Tonewheel Sound Generation
A Brief Hammond History
The Leslie Cabinet
EVD6
EVD6 Architecture and Features
Getting to Know the EVD6 Interface
Working with EVD6 Model Parameters
Working with Global EVD6 Parameters
Working with EVD6 Filter and Damper Parameters
Working with EVD6 Pickup Parameters
Working with the EVD6 Integrated Effects
Working with EVD6 Output Parameters
Working with EVD6 MIDI Control Parameters
A Brief History of the Clavinet
EVP88
EVP88 Architecture and Features
Getting to Know the EVP88 Interface
Using the EVP88 Global Parameters
Using the EVP88 Model Parameters
Using the EVP88 Stretch Parameters
Using the Integrated EVP88 Effects
Using the EVP88 Extended Parameters
EVP88 MIDI Controller List
Electric Piano Models Emulated by the EVP88
EVOC 20 PolySynth
How the EVOC 20 Polysynth Works
Getting to Know the EVOC 20 PolySynth Interface
EVOC 20 PolySynth Sidechain Analysis Parameters
EVOC 20 PolySynth (U/V) Detection Parameters
EVOC 20 PolySynth Synthesis Section Parameters
EVOC 20 PolySynth Formant Filter Parameters
EVOC 20 PolySynth Modulation Parameters
EVOC 20 PolySynth Output Parameters
Getting the Best Results with the EVOC 20 PolySynth
A Brief Vocoder History
EVOC20 Block Diagram
External Instrument
Getting to Know the External Instrument Interface
Using the External Instrument
EXS24 mkII
EXS24 mkII Features
Getting to Know the EXS24 mkII Interface
About EXS24 Sampler Instruments
Getting to Know the EXS24 mkII Parameter Window
Using the EXS24 mkII Sampler Instruments Pop-Up Menu
Adjusting EXS24 mkII Global Parameters
Using the EXS24 mkII Pitch Parameters
Working with EXS24 mkII Filter Parameters
EXS24 mkII Output Parameters
Working with EXS24 mkII Modulation
An Overview of the EXS24 mkII Instrument Editor
Creating EXS24 mkII Instruments, Zones, and Groups
Editing EXS24 mkII Zones and Groups
Setting EXS24 mkII Zone Parameters
Using the EXS24 mkII Zone Loop Parameters
Setting EXS24 mkII Group Parameters
Using the EXS24 mkII Advanced Group Selection Parameters
Graphical Editing of EXS24 mkII Zones and Groups
Saving, Renaming, and Exporting EXS24 mkII Instruments
Editing Samples in the EXS24 mkII Sample Editor
Using an External Instrument Editor with the EXS24 mkII
Importing EXS24 mkII Sampler Instruments
Managing EXS24 Sampler Instruments
Setting EXS24 mkII Sampler Preferences
Configuring EXS24 mkII Virtual Memory
Advanced EXS24 mkII RAM Management
Using the VSL Performance Tool in EXS24 mkII
Klopfgeist
Using the Klopfgeist Parameters
Sculpture
Getting to Know the Sculpture Interface
Getting to Know the Sculpture Synthesis Core
Getting to Know the Sculpture String
Working with the Sculpture String Parameters
Working with Sculpture’s Objects
Working with Sculpture’s Pickups
Using Sculpture’s Global Parameters
Using Sculpture’s Amplitude Envelope Parameters
Using Sculpture’s Waveshaper
Working with Sculpture’s Filter Parameters
Using Sculpture’s Integrated Delay
Using Sculpture’s Body EQ
Using Sculpture’s Output Parameters
Controlling Sculpture’s Surround Range and Diversity
Working with Sculpture’s Modulation
Getting to Know Sculpture’s Control Envelopes
Getting to Know Sculpture’s Morph Section
Assigning MIDI Controllers in Sculpture
Sculpture Tutorial: Getting Started with Sound Creation
Sculpture Tutorial: Creating Basic Sounds
Sculpture Tutorial: Modulations
Advanced Sculpture Tutorial: Programming Electric Basses
Advanced Sculpture Tutorial: Programming Synthesized Sounds
Ultrabeat
Getting to Know the Structure of Ultrabeat
Loading and Saving Ultrabeat Settings
Getting to Know the Ultrabeat Interface
Getting to Know Ultrabeat’s Assignment Section
Importing Sounds and EXS Instruments into Ultrabeat
Getting to Know the Ultrabeat Synthesizer Section
Getting to Know the Ultrabeat Oscillators
Getting to Know the Ultrabeat Oscillator Parameters
Using Oscillator 1 in Ultrabeat
Using Oscillator 2 in Ultrabeat
Using the Ultrabeat Ring Modulator
Using the Ultrabeat Noise Generator
Getting to Know the Ultrabeat Filter and Distortion Section
Using Ultrabeat’s Multimode Filter
Using Ultrabeat’s Distortion Circuit
Using the Ultrabeat Output Section
Working with Modulation in Ultrabeat
Working with the Ultrabeat Step Sequencer
Automating Parameter Values in Ultrabeat’s Step Sequencer
Exporting Ultrabeat Patterns as MIDI Regions
Using MIDI to Control Ultrabeat’s Sequencer
Ultrabeat Tutorial: Introduction
Ultrabeat Tutorial: Creating Kick Drums
Ultrabeat Tutorial: Creating Snare Drums
Ultrabeat Tutorial: Creating Toms and Tonal Percussion
Ultrabeat Tutorial: Creating Hi-Hats and Cymbals
Ultrabeat Tutorial: Creating Metallic Sounds
Ultrabeat Tutorial: Creating Extreme Sounds
Ultrabeat Tutorial: Programming in Building Blocks
GarageBand Instruments
GarageBand Instrument Features
GarageBand Analog Basic
GarageBand Analog Mono
GarageBand Analog Pad
GarageBand Analog Swirl
GarageBand Analog Sync
GarageBand Bass
GarageBand Church Organ
GarageBand Digital Basic
GarageBand Digital Mono
GarageBand Digital Stepper
GarageBand Drum Kits
GarageBand Electric Clav(inet)
GarageBand Electric Piano
GarageBand Guitar
GarageBand Horns
GarageBand Hybrid Basic
GarageBand Hybrid Morph
GarageBand Piano
GarageBand Sound Effects
GarageBand Strings
GarageBand Tonewheel Organ
GarageBand Tuned Percussion
GarageBand Voice
GarageBand Woodwind
Appendix: Synthesizer Basics
Sound Basics
What Is a Synthesizer?
How Subtractive Synthesizers Work
Other Synthesis Methods
A Brief History of the Synthesizer
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Apple Inc.
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Content Version: 916-001