FM synthesis is, at its core, caused by the intensity and type of modulations that take place in the signal path. Therefore, the “modulators” outlined in this section have a different impact (and role to play) than equivalent envelopes and LFOs found in analog synthesizer designs.
Turn the knob clockwise to increase the effect of the modulation envelope. Turn the knob counter-clockwise to invert the effect of the modulation envelope: the envelope slopes down during the attack phase, and slopes up during the decay and release time phases.
At the center (0) position, the envelope has no effect on the pitch of the Modulator oscillator. Click the “0” to center the Modulator Pitch knob.
Turn the knob clockwise to increase the effect of the modulation envelope. Turn the knob counter-clockwise to invert the effect of the modulation envelope: the envelope slopes down during the attack phase, and slopes up during the decay and release time phases.
At the center (0) position, the envelope has no effect on FM intensity. Click the “0” to center the FM Depth knob.
Turn the LFO knob clockwise to increase the effect of the LFO on FM Intensity. Turn it counter-clockwise to introduce a vibrato.
At the center (0) position the LFO has no effect. Click the “0” to center the LFO knob.